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Breaking ballet’s color barrier
Heidi Ho
, Contributing Writer
December 9, 2024
With a propane torch for a paintbrush, Pamela Kainz creates art from foraged and discarded materials
Saba Khundadze
, Contributing Writer
December 4, 2024
The Thousand Bloom: Chinatown’s Pao Arts Center festival
Hitakshi Joshi
and
Claire Ogden
November 5, 2024
Another season of community connections at the Ashmont Friday Market
Wenqi Cao
and
Peiyao Hu
November 5, 2024
After a challenging year, the Boston Palestine Film Festival returns to in-person programming
Gregory Zapata
, Contributing Writer
October 23, 2024
Roxbury’s cultural renaissance
Rebeca Pereira
, Audio Editor
October 7, 2024
Art, Indigeneity and drag on display on the Rose Kennedy Greenway
Rebeca Pereira
, Audio Editor
September 23, 2024
The Eliot School’s ‘Teen Bridge’ program welcomes the next generation of Boston’s artists
Ian Dartley
, Assistant Editor
April 3, 2024
Street Theory is strengthening Boston communities through art
Kelly Chan
, Contributing Writer
April 2, 2024
Sophie Pearson’s art is open to interpretation, not speculation
Rebeca Pereira
, Audio Editor
March 13, 2024
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![Worcester, MA — Pearson’s recent piece “Lipstick on a Pig” contends with her self-perception. The title of the painting came to her first, “fixating in [her] head quite a lot,” Pearson said.](https://thescopeboston.org/wp-content/uploads/2024/03/2-1200x800.jpg)